Friday Magazine
FM:
Tell me about how you came to write romance novels - had it been a long term
goal to get into print?
The urge to write has been with
me for as long as I can remember. When I joined the Brownies at the age of
seven the first proficiency badge I earned was the writer’s badge, and all
through my primary schooldays, I spent my spare time creating comic strips and
magazines. In high school and beyond I progressed to short stories and poetry,
but I never had enough confidence to share my writing with the public. The
idea of being published remained an unreachable goal and I turned to teaching,
marriage and motherhood.
But the interest in writing never went away and years later, when I was
required to teach a unit on popular fiction to my Yr 11 English class, I had
to read some Mills and Boon novels and I was immediately fascinated. I could
see a strong connection between these romances and the stories I’d loved as a
girl – Anne of Green Gables, Little Women, Daddy Longlegs.
What I particularly liked about the modern romances was that they were short,
they were focused on women and their dreams, and they gave the reader the
promise that no matter how bad things get, there will (in this book at least)
be a happy-ever-after ending. That seemed appropriate in today’s troubled
world.
However there’s a big learning curve to be travelled when you embark on a
writing career. It took another four and a half years and four rejections
before I achieved my dream of becoming a published author.
FM:
Where do you find your inspiration?
Some of my writer friends refer
to “the girls in the basement” who send up our ideas. The truth is we’re never
quite sure what stimulates the muse, but a bum on the seat in front of the
computer is the first step.
I found that once I started to
write these stories, I discovered ideas flowing from everywhere. It’s as if
the act of writing provides you with a set of special antennae and you find
you’re suddenly on the alert for ideas about characters, plots or settings.
Listening to or reading news stories helps and I’m a great “people-watcher”,
but movies, plays, magazines and books provide inspiration, too.
But perhaps my most helpful inspiration was my love of the bush. Although I
live in the city of Townsville, I’ve spent a lot of time traveling in the
outback and camping and canoeing with my family or visiting relatives on
cattle properties. The first book I sold was set on a cattle property on the
banks of the Burdekin River.
FM:
What countries are your books sold in? Are they particularly popular in any
specific area?
My books have been translated
into twenty different languages (including Arabic, Russian and Japanese) and
are sold all over the world. Australian romances do well in USA. The romance
industry is huge there and over half the paperbacks sold are romance. But my
books also seem to be popular in European countries, especially France,
Germany and Italy.
FM:
Your romance novels are often based in rural Australia, do you still think
that there is a lot of romance associated with the bush?
Oh, yes. The allure of life in
the bush is no doubt romanticized by those of us who live in the city, but
it’s still very strong. To start with, the beauty of the Australian bush is
unique and readers enjoy settings that evoke the dramatic scenery, or the
tranquility and the awesome splendour of the outback.
However, the Australian bush is peopled with heroes and heroines to write
about, too. We think of rural people as warm, friendly, salt of the earth
types with a strong spirit and a great sense of humour that sees them through
tough times. We admire their resilience when they cope with heat and dust,
dramatic market fluctuations, droughts, floods and bushfires... Rural people
embody the image of man against the elements... and readers are uplifted by
their fortitude.
We love outback characters because they are living the legend for the rest of
us.
FM:
What is it about the 'bush bloke' that so many women find attractive?
Traditionally, women have always
known that men in the bush are tough and skilful. Their work keeps them
physically active and mentally fit because they balance an active outdoor life
with running a successful business, so they have the qualities that make them
good providers.
But I think a bigger, more
intriguing fascination for women is that the bush still has a reputation for
breeding men’s men. Mateship has always been strong in the bush and despite
the huge advances women have made, there’s still a lingering sense that we
(women) don’t really belong... and that’s an irresistible challenge for any
hot-blooded girl.
But perhaps the strongest appeal
of outback heroes in a romance novel lies in the fact that these guys hide
powerful emotions behind their toughness. Their feelings run deep. We women
suspect (hope?) that behind a bush “bloke’s” Alpha-male exterior beats a Beta
heart of pure gold and we love to see these loners - often remote, strong and
silent types - brought to their knees as they admit they can’t deny their
feelings any longer. And we know that the heroine, who manages to penetrate
the outer shield to expose such a man’s tender feelings, wins a rare prize.
FM:
Are people just as romantic as we have ever been or are we more cynical these
days?
On the surface we’re more
cynical. Young women today claim to be focused on careers, travel and fun and
Mr. Right-For-Now rather than Mr. Forever. But when I talk to these women, I
find that deep down they still long for a committed love with the right man.
Many of them want the security of a man who will love them forever and be
their life partner.
FM:
Has the romance novel changed over the years?
There have been so many changes
it’s hard to cover them all. The biggest change is in the range of romances
available now. The market covers everything from Young Adult and Chick Lit, to
Inspirational (Christian) Romances, to Erotica, Romantic Suspense (action
thrillers with romantic elements), Paranormal... the list goes on.
In the more traditional romances that I write I think the biggest change is
that almost half the book is written from male point of view now. The hero’s
motivations and feelings are explored in more depth and so he is less of an
enigma. Of course the heroines today are rarely helpless virgins waiting to be
rescued. The books have to keep changing to reflect changes in society, so
today the female characters have careers that are important to them. Plots
today may cover modern issues like infertility or having a baby late in life,
or dating over the internet and facing divorce.
FM:
What advice would you give to aspiring romance writers?
Read, read, read. Find the kind
of romance stories that most appeal to you and immerse yourself in the genre
so that you understand it inside out. Then get on with writing it. You have to
get that story down on paper. That’s the hard part. You can’t sell it till
it’s written. And consider joining Romance Writers of Australia. You can find
them at Romance Writers of Australia
In this association you will
find information and support. I and other authors have been involved in a
mentor scheme to help remote writers. There’s also a helpful monthly
newsletter as well as annual conferences and competitions you can enter that
give you helpful feedback and the chance to land your manuscript straight onto
an editor’s desk.
Good luck!
